Pages

Showing posts with label tutorial. Show all posts
Showing posts with label tutorial. Show all posts

Friday, January 6, 2017

Warming up a ski run

I've just came back from a ski trip. I was skiing in a beautiful state of Vermont. The mountains were ready, perfectly covered with the white powder. It was a nice change from all that gray Maryland's scenery. Surprisingly there was not too many people there.

The views were spectacular and inspiring, especially from the mountain's summit. Although my sketchbook was in my bag all the time, I wasn't able to sketch. The wind was too cold to remove the gloves from my hands. Nevertheless I wouldn't be myself if I didn't take some photographs. 
Here you can see one of my pictures. I took this one on the trail down the Ramshead Mountain. I knew right away that I would like the scene. Layers of mountains and small figures of skiers are great subjects for a watercolor painting.
Later at home I studied this picture in more detail. I noticed some drawbacks though. Heavy, gray clouds made this picture dull and almost monochromatic. Also the skiers were hardly visible on the dark background full of trees. I knew that I had to rearrange the composition of this picture a little.  


I began with making the sky more dramatic. I painted it with wet-in-wet technique. On the wet paper I threw yellow pale color just to add a little sunshine. Then I painted small part of the clear sky with cerulean blue. I carefully painted around white clouds. At the end I added darker tones to make heavier clouds. I used mixture of french ultramarine and crimson red.
Then I waited until everything dried out. After that, I painted the mountains starting with the farthest one. I used mixture of french ultramarine and crimson red.
The conifer trees were done with a combination of phthalo blue and yellow ocher. To create darker trees in the front I mixed french ultramarine and burnt umber. On my photograph, the trees are in all shades of gray. To change this and warm up the scene, I painted some bushes with yellow ocher and burnt sienna.
To emphasize skiers I painted them on a white background. I also narrowed the ski trail to eliminate the overwhelming whiteness of the snow in the foreground. Thanks to that, the skiers automatically became more pronounced. One of the skier's jacket had neon blue color. I found this tone too destructing so I changed it to the dark gray.
Now my dear readers it is your turn. You can take my photo and paint from it. Modify it to your taste and most of all enjoy the process. Start with quick pencil value sketch, it help to determine what you like. Let me know how it went :)

Wednesday, January 20, 2016

Beef up the Composition

In late December I visited Canaan Valley in West Virginia. It’s a very beautiful and peaceful place and if you are an outdoor person you’ll love it too. Walking through the woods and meadows was a real treat for me. Because it was too cold to stay in one spot and draw I took a lot of pictures while hiking.
Here is a scene that made me freeze for a moment. This sight had a lot of attractive features but also had a few distracting elements. In my rough sketch below you can see how I handled the components to create a more exciting composition. The drawing was done with a graphite aquarelle and washed over with water. This helped me see the tones and the lighting better.

The creek was my focal point so I decided to cheat a little and make it a bit wider and brighter. The trees along the stream had trunks covered with lichens light in color. To emphasize that brightness I positioned them in front of the darker conifers. The unbalanced tree trunk and the footbridge were grabbing attention away from the stream so I didn’t put them in my drawing at all. Also, I decided not to paint the tall trees in the background to simplify the setting.
At first I covered the tree trunks with masking fluid. I wet the entire paper and applied the diluted mixture of ultramarine blue and burnt umber for the background. I added yellow ochre to the mixture to achieve a nice green color for trees in the distance. To create the soft look I started painting while the paper was still wet. For the foreground I used burnt sienna and a touch of purple. After these first two washes I waited for my paper to completely dry. Then I painted the closer fir trees and pines with the same mixture yet more condensed. Next I removed the masking fluid that covered the trunks. I painted their edges gray and green to create a feeling of roundness. The grass was done by a lot of negative painting. I completed the painting by adding shadows behind the trees.
I really enjoy painting details and I have to remind myself constantly not to over do it. 


Go to my YouTube Chanel to see the video of painting process


Monday, August 31, 2015

Moonlight Village

Hello All, It's been awhile.

Usually I'm drawing or painting from real life, this time I made a watercolor from my imagination. I love creating unusual, magical scenes, good for some fairy tail story.
First I worked really hard on my sketch. That mean I draw and erase in terns until I got a composition I like. Painting was a pleasure because I love this color combination. Mainly I used 3 colors: yellow ochre, phthalo and ultramarine blue.

I made my first real video tutorial Moonlight Village. So far I made a lot of speed painting videos but I don't think anybody can learn from such. So please enjoy this one, and let me know what you think